“Severin Fiala and Veronika Franz stunning feature provided the perfect muse for Alan Hyne’s imagination to run wild,” says Alamo Drafthouse CEO and founder Tim League. Tickets are still available at /show/livestream-q-a-the-lodge. These screenings will be followed by a Q&A broadcast live from Alamo Drafthouse Brooklyn featuring directors Veronika Franz and Severin Fiala, along with actor Jaeden Martell. Directed by Severin Fiala and Veronika Franz, THE LODGE is a psychological horror masterpiece that stars Riley Keough, Alicia Silverstone, and Richard Armitage.Īudiences’ first chance to see THE LODGE will be this Tuesday, February 4th, at an exclusive sneak preview beamed to 25 Alamo Drafthouse locations.
Letterpress posters series#
The first poster in the series was designed by Alan Hynes for THE LODGE, the Sundance 2019 breakout set for release this February from NEON. Press Release: New York, NY - Febru- Alamo Drafthouse Cinema has begun production of a monthly series of limited edition posters for upcoming new releases and repertory screenings, all hand-printed on an 83-year-old letterpress.
Letterpress posters movie#
In the end, we returned feeling satisfied to have real letterpress prints that we’d designed ourselves.Following its buzzed-about festival run, The Lodge (the latest movie from Goodnight Mommy filmmakers Severin Fiala and Veronika Franz) is coming to cinemas this week, and Alamo Drafthouse is celebrating the movie's release in style by unveiling the first poster in their new limited edition letterpress series.įeaturing artwork by Alan Hynes, The Lodge limited edition posters come from an 83-year-old letterpress and will be available at Alamo Drafthouse cinemas screening The Lodge.įor additional details and the full list of participating theaters, read the official press release below, and in case you missed it, read Heather Wixson's interview with The Lodge co-stars Jaeden Martell and Lia McHugh. Both had errors, which Eli said was just part of the letterpress process – one of us had put an “n” where there was meant to be a “u” – and we each got a print of our team’s poster. When we were done, we transferred everything to the printing press and printed the two different posters. We added spaces and put them into special holders.
We began arranging wood and metal letters, slightly confused by having to position them backwards so the final print would come out forwards. We then got a run-down of what we were going to do and jumped into it.
We immediately saw the text our teams had created and the linoleum cuts made from the illustrations that each team’s designer had drawn. When we first entered the small room, Union Press owner Eli Epstein greeted us. Our main project at the studio at the studio was to make posters for our class debate about the Lowell Mills, which centered on the question: Were the mills ultimately an opportunity or a dead end for the girls who worked there? We were split into teams to gather evidence for one side or the other. Letterpresses were a primary tool for mass media in the 1840s, so this felt like a perfect place to go at the end of our unit. Throughout the first trimester, we’ve been studying labor in the 1840s, and we’ve looked at how mill girls in Lowell used the media to support their fight for better labor conditions. The theme of our Humanities class this year is Media & Journalism, and we’ve been exploring those topics from many angles. On October 19, Division I traveled to Union Press in Somerville to learn about letterpress printing.